Self-Portrait

by Vincent van Gogh (Dutch, 1853–1890)

1887

About This Artwork

In 1886 Vincent van Gogh left his native Holland and settled in Paris, where his beloved brother Theo was a dealer in paintings. Van Gogh created at least twenty-four self-portraits during his two-year stay in the energetic French capital. This early example is modest in size and was painted on prepared artist’s board rather than canvas. Its densely dabbed brushwork, which became a hallmark of Van Gogh’s style, reflects the artist’s response to Georges Seurat’s revolutionary pointillist technique in A Sunday on La Grande Jatte—1884. But what was for Seurat a method based on the cool objectivity of science became in Van Gogh’s hands an intense emotional language. The surface of the painting dances with particles of color—intense greens, blues, reds, and oranges. Dominating this dazzling array of staccato dots and dashes are the artist’s deep green eyes and the intensity of their gaze. “I prefer painting people’s eyes to cathedrals,” Van Gogh once wrote to Theo. “However solemn and imposing the latter may be—a human soul, be it that of a poor streetwalker, is more interesting to me.” From Paris, Van Gogh traveled to the southern town of Arles for fifteen months. At the time of his death, in 1890, he had actively pursued his art for only five years.


This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.


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Curator's Notes
This Self-Portrait goes beyond mere reflection, capturing both the artist’s essence and the zeitgeist of the era. In this profound work, the artist masterfully uses their chosen medium to explore identity and self-perception, blending classic technique with innovative flair. A perfect focal point of any collection, it invites viewers to ponder the evolving nature of self-representation throughout history.
Additional Information
Self-Portraits hold a pivotal place in art history, serving as intimate windows into the artist's world. Typically characterized by the artist's syntheses of introspection and outward expression, this particular piece exemplifies innovative technique and stylistic evolution. It taps into the rich tradition of self-representation, mirroring the cultural shift towards individualism. Such works have significantly influenced popular culture, often referenced in film and literature as symbols of self-exploration.
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Artwork Details
Medium: Oil on artist's board, mounted on cradled panel
Dimensions: 41 × 32.5 cm (16 1/8 × 12 13/16 in.); Framed: 61.6 × 53.4 × 8.9 cm (24 1/4 × 21 × 3 1/2 in.)
Position: #8 in collection
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